Daria Irincheeva

Running on Cargo

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Forced Omission

— As a female Russian-born artist of mixed heritage—North-Eastern European (Russian, Latvian, Lithuanian Jewish) and Indigenous Siberian (Buryat Khongodor t...

Empty Knowledge

— “The book, total expansion of the letter, has to extract from it, directly, a mobility and, being spacious, through connections, has to institute a g...

— This selection of oil paintings are based on the science magazines that once belonged to my grandfather, who was a geologist, physicist and science professor in...

— The initial series of 6 embroideries presented in this section were created during the 2020-21 pandemic lockdowns, and consist of the highly...

Continuous Function

— Daria Irincheeva’s Continuous Function arises from the experience of the totality and irreversibility of certain processes in our lives that have a dangerous ef...

war. day. number.

— The piece consists of 17 panels, each 95 x 13 x 0.5 inches (242 x 30 x 2cm) made using tempera and watercolor on watercolor paper, stretched on handmade wooden...

As above, so below

— In the piece titled "As above, so below", I reflect upon the subjects of the colonization of cultures and of the imagination, the subject of ‘the other’ and the im...

Columbia MFA Thesis Exhibition

— During my 2 years as a student within the Columbia University Masters of Fine Arts program, my goal was to expand my understanding of various techniques and...

Nos estan metiendo el pico en el ojo

— The video titled “Nos están metiendo el pico en el ojo” (which translates in English as “They are putting a dick in our eye”) depicts contrasting aspects of contem...

— How do we see the Earth, how do we discern its vast landscape? Daria Irincheeva uses one of the most prominent sources of cartographic technology,...

— Until recently, the office was a physical space dedicated to work. Today, that almost anachronistic conception has mutated and work has escaped from that...

— This piece consists of several examples of the juxtaposition of images from my family archive and quick-setting cement. It is a reflection on the repetitive...

— bad poetry using three languages about different people who where and when flies to nowhere bad poetry about ana the florist from omsk who quietly...

Circadian Rhythm

— Ever tried. Ever failed. No matter. Try Again. Fail again. Fail better. — Samuel Beckett. Daria Irincheeva was born in 1987 in Leningrad (St. Petersburg) g...

Sculptural experiments 2011-2016

— Through a series of precarious sculptures made from found organic and non-organic objects, cement, and wood, I explored themes...

Glass beads embroideries on paper

— These continent-like pieces of old, torn, embroidered stock, rich in topography, and the tectonics of thoughts and memories, levitate off of...

— In this video, I examine the symbolic gestures and choreography of protests, focusing on the Russian demonstrations in Moscow from 2011. In this fragile video...

Anthropocene Markers / Curating

— Through the civilian and commercial proliferation of satellite technology originally intended for military use, now every person with internet...

Yes, but Less! / Curating

— Yes, but Less! brings together seven emerging artists from the United States, Russia and Chile, most of whom are recent graduates from the Yale, Hunter, and SVA...

Toasting to the Revolution / Curating

— Toasting to the Revolution was an exhibition curated by Daria Irincheeva at Family Business Gallery, in April 2012. It brought together six young Russian...

TAMIZDAT / Curating

— As the opening event of the Summer 2013 program of the New Holland pop-up gallery, in St. Petersburg, Russia, Family Business gallery presented...

Dreaming is Free / Curating

— Dreaming is Free was an exhibition curated by Daria Irincheeva at the Podpisnije Izdanija bookstore as a part of the parallel program of Manifesta 10, in St....

Town of Dormancy

— In this painting project from 2008 I combined imagery from videos I shot in my hometown of St. Petersburg with large-scale canvases, depicting selected frames...

Performance experiments 2010-2011